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Trinity College Dublin Announces End of Science Gallery

Trinity College Dublin announces the end of Science Gallery, stating that it no longer considers the venue for science and technology-based exhibitions and lectures to be financially viable. Opened in 2008 to encourage interest in scientific discovery and creativity and counting more than three million visitors to date, the gallery will permanently close on February 28, 2022. The current exhibition, “BIAS: BUILT THIS WAY,” on AI and algorithmic prejudice curated by Julia Kaganskiy will be its last.

All the Vegetation in Pixar’s “Brave” Changed, When One Software Engineer Got a New Phone Number

“… and when I changed to a new phone and number, all of the vegetation of two films that were in production suddenly changed, creating panic in a handful of teams for about half a day.”
Inigo Quilez, software engineer and creator of Pixar’s “Wonder Moss,” upon former colleague Jeremy Cowles revealing that the procedural geometry generator that spawned the lush vegetation in the studio’s computer-animated feature Brave used Quilez’ phone number as a seed

Behind the Yugoslav Art Movement that Anticipated Everything from Video Art, to Bio Art, to Robotics

For The Calvert Journal, Jonathan Bousfield revisits the “neo-abstraction, early premonitions of op-art, and the beginnings of computer art” seen in New Tendencies, an art movement in former Yugoslavia and one of “Europe’s forgotten avant-gardes.” Between 1961–73, five landmark exhibitions (feat. Julije Knifer, Vladimir Bonačić, Francois Morellet, Victor Vasarely, and many others) brought hundreds of artists, critics, and intellectuals to the city of Zagreb and “anticipated everything from video art to bio-art and robotics.”

NFT Carbon Calculator CryptoArt.WTF Was Used to Shame Artists, Creator Memo Akten Says

“I underestimated how much people already hated NFTs. All I wanted to do was create the equivalent of a flight carbon calculator. But people used it to tweet ‘Your shitty GIFs are ruining the planet.’ We don’t shame people for their carbon footprint like that in any other context.”
Memo Akten, on the fallout of CryptoArt.wtf and why he took it down, eventually. “It served its purpose,” Akten tells fellow artist and Twitch streamer Raphaël de Courville. “It sparked a conversation around the footprint of NFTs.”

Ryan Kuo Overwrites Whitney Museum Website, Highlighting the Complexities of Hate, Racism, and Exclusion

The latest entry in the Whitney’s Sunset/Sunrise series of commissioned Internet artworks that mark sunset and sunrise in New York City every day, Ryan Kuo’s Hateful Little Thing overwrites the museum’s web pages with text snippets that reflect the artist’s experiences—“frustrations”—as an Asian-American. By creating its own version of exhibition labels, Hateful Little Thing addresses the act of taking up “white space” and highlights the complexities of hate, racism, and exclusion.

Silicon Valley Venture Capital Giant Andreessen Horowitz Want to Be Friends with Benefits

Silicon Valley venture capital giant Andreessen Horowitz, responsible for the phrase “software is eating the world,” invest in the Friends with Benefits (FwB) DAO. Perhaps the most well known tokenized community, FwB is praised as the “de facto home of web3’s growing creative class” and for onbarding influential artists and creatives into crypto ”by putting human capital first.” The exact details of the funding remain undisclosed, but presumably the ‘get’ here is access to innovative intellectual property, and an inside view of a 2000-member DAO as it evolves from insular community into a (more) prominent cultural producer. “In addition to borderless resource assembly, DAOs enable bottom-up innovation and community building, from which new ideas can be incubated and scaled” note the VC firm’s Carra Wu and Chris Dixon.

Scholar Peli Grietzer on the Current “Pre-Scientific, Proto-Scientific, Alchemical Stage” of AI

DOSSIER:
“One might describe this moment as a pre-scientific, proto-scientific, alchemical stage where we may have not particularly scientifically rigorous explanations, but instead, have complicated, intuitive stories about how the science works.”
– Scholar Peli Grietzer, on AI alchemy and partial ways of knowing. In their second research transcript, Grietzer and HOLO 3 guest editor Nora N. Khan discuss hazy methods of prediction, tarot compression, and Chomsky the mystic

Chomsky the Mystic

Research Transcript (2/4):

Nora N. Khan and Peli Grietzer on Hazy Methods of Prediction, Tarot Compression, and Chomsky the Mystic

This year’s HOLO Annual has emerged in part through conversation between Nora Khan and Peli Grietzer, the Annual’s Research Partner. They discussed Nora’s first drafts of the “unframe” for the Annual (in resisting a frame, one still creates a frame) around prompts of Explainability, Myths of Prediction, Mapping Outside Language, and Ways of Partial Knowing, over months. Once drafts started rolling in, they discussed the ideas of contributors, the different angles each was taking to unpack the prompts, and the directions for suggested edits. They came together about four times to work on unknotting research and editorial knots. A deeper research conversation thread weaves in and out, in which Peli and Nora deconstruct the recent and influential Atlas of AI, by Kate Crawford.

The research conversation bubbles underneath the whole Annual, informing reading and finalizing of essays and commissions, and its effects finding a home in the unframe, all the edits, and the final works. The following excerpt is taken from the middle stages of the research conversation, which took place in July and August of this year. Nora and Peli discuss the drafts of essays which form the bulk of responses to the Annual Prompt “Ways of Partial Knowing,” and the ideas, debates, and dramas that the authors move through. A fuller representation of the research conversation will be published in the HOLO Annual.

“One might describe this moment as a pre-scientific, proto-scientific, alchemical stage where we may have not particularly scientifically rigorous explanations, but instead, have complicated, intuitive stories about how the science works.”

Peli: There is a famous debate between Noam Chomsky and Peter Norvig, an AI guy from the generation between old fashioned AI and deep learning. The debate was about computational linguistics and sophistic linguistics. In an article from the early 2000s on the traits of Chomskyian linguistics, Peter Norvig quotes Chomsky in a derogatory way. He says something like, “Because Chomsky wants some kind of deep, profound understanding that goes beyond what statistics can provide for us, that’s because he’s some kind of mystic.”

You can find many papers, especially from two years ago, saying that deep learning isn’t science; it’s alchemy. The actual scientists tell each other all kinds of stories about, for example, why this method called layer normalization drastically improves results; there are a bunch of different theories about it. They’re either all kind of anecdotally phrased and not mathematically rigorous, or nobody really knows how they work, but there are all these different stories about how they do. One might describe this moment as a pre-scientific, proto-scientific, alchemical stage where we may have not particularly scientifically rigorous explanations, but instead, have complicated, intuitive stories about how the science works.

Nora: I love that. Describing the alchemic stage. I think these essays really capture those intuitive stories we use to understand or make sense of new technologies, or, methods and strategies humans create to approach the unknown. So far, the authors in this section get at partial ways of knowing very obliquely. They also talk about technology obliquely. At a slant and from the side. I love that for a magazine that is about science, art, technology, in explicit terms. I’m appreciative of how each lets the readers do a lot of the connective work, in the spaces between claims and ideas from each author. One author writes about dark speech on the rise, and delineates the different ways mystics and alchemists work with the limitations of language. The reader might ask, are alchemists on the rise in technological spaces? Is the difference between the mystic and alchemist, in relation to power and language, something that we can see in the present moment?

“So far, the authors in this section get at partial ways of knowing very obliquely. They also talk about technology obliquely. At a slant and from the side. I love that for a magazine that is about science, art, technology, in explicit terms.”

I’m really intrigued by this other piece on mapping GANs on top of tarot, and the idea of using one system to discern patterns in another predictive system. Could we go even deeper and ask, what do we learn about the way that tarot predicts or helps us figure out a place in the world? How does seeing a GAN’s interpretations of tarot images help us rethink and renew our understanding of what tarot does?

Peli: I think you’re super, super onto something here. And in fact, generative adversarial networks themselves are not predictive systems. They’re compression systems.

Nora: Right

Peli:Once you debunk the notion that tarot is “predicting the future,” well, what is it supposed to be? The cards represent different aspects of the human experience. The cards are models of a system, in which human experience is a system of 21 types of events, or 21 types of phenomena. Bring in the GAN, ask it, “Now, model this huge potential event database, resulting from the interaction between …” Actually, how big is the latent space of these GANs nowadays? I think the latent space uses something like 1,000 units. Both of them are archetype systems, because they’re summarizing a certain universal phenomena into archetypes.

Nora: So you have compression on top of compression. I think to your point, even though tarot doesn’t predict the future, what’s interesting is why we talk about them as though they do, even if we know that it’s pattern recognition and compression.

Peli: Yeah. I mean, I think we probably don’t have to be super literal about prediction as being prediction, about the future. I mean, we are actually talking about knowledge systems, right? I feel like prediction here is a bit of a synecdoche for knowledge and inferential systems in general.

“We don’t have to be literal about prediction as being prediction, about the future. We are actually talking about knowledge systems. Prediction here is a bit of a synecdoche for knowledge and inferential systems in general.”

Nora: Right, the notion that, based on a certain arrangement of cards on a certain day, there’s something about your character, described at that moment, on that day, before those cards, that is going to suggest what you’re going to be like next week, or a couple months or a year from now. You at least get a bit of steadiness about how to prepare: Here’s what you can expect.” I don’t know if that’s precisely prediction, in the way this essay partly about predictive and carceral policing is talking about, the carceral prediction our societies are embracing, or prediction within a carceral state. But instead, prediction here means a general, hazy, semi-confident narrative about what might happen, in the same way that you glean in an astrological reading.

Peli: Yeah. So, in machine learning: usually, when you turn a predictor, especially in modern machine learning, the predictor does implicit representation learning. GANs are just pure representation learning systems. You can then actually hook them up to a predictor, but usually hooking up predictors to representation learning systems of a different kind than GANs is more effective, for reasons we don’t fully understand.

Many people think that this is also a temporary thing, and one day, these kinds of generated models would be like representation learners for the purposes of then hooking up a predictor. But I think we don’t have to get super, super mired in stuff like defining things as being like prediction, or like other kinds of modeling.

Nora: Agreed! I think this way, prediction becomes a portal in this section, to think about all the hazy ways we have tried to predict, augur, and try to discern what’s coming—and to what end, and what we do with that belief.

“Prediction becomes a portal in this section, to think about all the hazy ways we have tried to predict, augur, and discern what’s coming—and what we do with that belief.”

Kim Stanley Robinson: “Sci-Fi Authors Are Court Jesters in the Circus of UN Climate Meetings”

“The court jester often says things people need to hear, from angles no one else would think of. Those in power listen for amusement and crazy insight.”
– Sci-fi author Kim Stanley Robinson, on his imagined role and capacity to speak truth to power when he attends the upcoming “combination diplomacy, trade show, and circus” COP26 UN Climate Change Conference in Glasgow

Collaborating with Venetian Craftsmen, Computer Art Icon Vera Molnar Renders Generative Geometry in Glass

A collaboration between celebrated computer art pioneer Vera Molnar and a team of traditional Venetian glassmakers, Icône 2020 premieres at New Murano Gallery, Venice, in an eponymous exhibition. The gold-dusted glass slab—Molnar’s first use of the medium—is punctured by an ‘on brand’ parametric grid of trapezoids. Instigated in 2019 by curator and producer Francesca Franco, the collaboration aims to connect two traditions: that of making computer art and that of making glass.

Edward Snowden Calls Out Cryptocurrency Startup for Scanning Users’ Eyeballs

“Don’t catalogue eyeballs. Don’t use biometrics for anti-fraud. In fact, don’t use biometrics for anything. The human body is not a ticket-punch.”
Edward Snowden, on Tools for Humanity’s announcement of Worldcoin, a forthcoming proof-of-personhood digital identity system and cryptocurrency made available in return for biometric data. “This looks like it produces a global (hash) database of people’s iris scans, and waves away the implications by saying ‘we deleted the scans!’” warns the famous whistleblower.

Hoonida Kim’s LiDAR Pods Invite People to Navigate the World like an Autonomous Car

The last stop in the year-long exhibition rally “Multiverse,” Hoonida Kim’s “Landscape being Decoded” opens at Seoul’s National Museum of Modern and Contemporary Art (MMCA). The Korean artist deploys a series of mobile “environmental recognition apparatuses” called DataScape that allow the person inside to navigate the world like an autonomous car: 360° LiDAR sensors collect spatial information and translate them into sound, “because our auditory sense has the least latency.”

Author Ian Bogost Warns of “Black Hole of Consumption” that is the Metaverse

“If realized, the metaverse would become the ultimate company town, a megascale Amazon that rolls up raw materials, supply chains, manufacturing, distribution, and use and all its related discourse into one single service. It is the black hole of consumption.”
– Author Ian Bogost, on silicon fantasies of power. As rumours of Facebook’s metaverse rebranding propagate, Bogost warns: “A metaverse is a universe, but better. More superior. An überversum for an übermensch.”

Andrea Galvani’s Incandescent Landscape Reflects Theories and Discoveries That Have Changed the World

Transforming Galería Curro in Guadalajara, Mexico, into an incandescent landscape, Italian artist Andrea Galvani’s solo show declares “Time Is the Enemy.” A constellation of 11 neon sculptures, Instruments for Inquiring into the Wind and the Shaking Earth (2014–19), illuminate the main exhibition space, each representing a mathematical equation or scientific diagram of a theory or discover that has radically changed our perspective on the world.

AI as Ambient as Internet Itself, Journalist Warns, Detailing Technology’s Human Cost

“By now, AI is as ambient as the internet itself. In the words of the computer scientist Andrew Ng, artificial intelligence is ‘the new electricity.’”
– Author and journalist Sue Halpern, on the prevalence—and human cost—of artificial intelligence. “AI has been used to monitor farmers’ fields, compute credit scores, kill an Iranian nuclear scientist, grade papers, fill prescriptions, diagnose various kinds of cancers, write newspaper articles, buy and sell stocks, and decide which actors to cast in big-budget films in order to maximize the return on investment,” Halpern writes.

Researchers Share Findings That Twitter’s Algorithm Amplifies Right-Wing Content

A team of machine learning researchers including Ferenc Huszár, Sofia Ira Ktena, and Conor O’Brien publish findings that Twitter’s algorithmically ranked home timeline amps up the visibility of right-wing content when compared to the reverse chronological timeline. Analysis of 2020 tweets from America, Canada, France, Germany, Japan, Spain, and the UK revealed that in six out of seven of those countries elected officials on the political right received more amplification than those on the left, and that right-leaning news organizations were also amplified. “We hope that by sharing this analysis, we can help spark a productive conversation with the broader research community,” write Twitter’s Rumman Chowdhury and Luca Belli.

New Orleans News Nonprofit Releases Report on City’s Rapidly Growing Surveillance Apparatus

New Orleans news nonprofit The Lens releases “Neighborhoods Watched: The Rise of Urban Mass Surveillance,” a five-part series on the city’s rapidly growing surveillance apparatus. In obtaining and reviewing thousands of city documents, Michael Isaac Stein, Caroline Sinders, and Winnie Yoe demonstrate how a $40 million public safety plan created a “sprawling, decentralized and constantly changing patchwork of tools” maintained by various departments, agencies, private nonprofits, and law enforcement with little oversight.

Nora N. Khan Discusses (Biased) Predictive Systems and New Powerhouse Thinkers Joining the HOLO 3

DOSSIER:
“As we struggle to disentangle ourselves from predictive regimes and algorithmic nudging, we need to tackle what prediction means, and has meant, for control and computation.”
HOLO 3 guest editor Nora N. Khan, on the prompt “powerhouse thinkers” like Leigh Alexander, Mimi Ọnụọha, Suzanne Treister, and Jackie Wang were asked to respond to in the forthcoming issue’s second chapter, Myths of Prediction Over Time
$40 USD