09/05/2022: Terraform Labs CEO Do Kwon Assures Investors Amidst Major Crash in the Terra Cryptocurrency Ecosystem

07/05/2022: Christa Sommerer & Laurent Mignonneau Spent Three Decades Exploring “The Artwork as a Living System”

06/05/2022: “Colliding Epistemes” Showcases 13 Artist-Scientist Collaborations Produced during the Studiotopia Residency Program

05/05/2022: Exonemo Present Beta Version of Forthcoming “Metaverse Petshop” at NADA NYC

03/05/2022: Out Now: Britt Wray’s “Generation Dread” Argues Eco-Anxiety Is a Tool, Not a Dead End

03/05/2022: Monira Al Qadiri Recreates the Gulf War’s Hellish View “Behind the Sun”

30/04/2022: April 2022

30/04/2022: Claudia Hart’s Big Tip for Building a Metaverse: Spend Twenty Years

29/04/2022: Hito Steyerl Submerges Seoul in “A Sea of Data”

29/04/2022: Jonas Blume Presents New Body of Work That’s “SKIN DEEP”

27/04/2022: Out Now: Anicka Yi’s Monograph “Metaspore” Marks Her Eponymous Show at Pirelli HangarBicocca in Milan

27/04/2022: “Dialogue: James Bridle and Jonas Staal“ Foregrounds Ecology-Focused Works at NOME Gallery

27/04/2022: TeamLab Sues Los Angeles Museum of Dream Space (MODS) for Copyright Infringement

23/04/2022: Jessica Field’s “Simulating Gestures” Questions the Visibility of the Artist’s Hand in Digital Art

23/04/2022: 59th Venice Biennale Features Early Computer Art, Infinitesimal Metal Dust, Dripping Molten Steel, and an 8th-Century Persian Polymath

22/04/2022: Angelo Plessas’ Optimistic Vision for the Future of the Internet Is “More Ethereal and Less Capitalist”

22/04/2022: “Fossil Experience” Chronicles the (Uneven) Environmental Footprint of Fossil Fuels

21/04/2022: Hua Xi on the Problem with Large Scale “Harbinger” Climate Change-Focused Sculptures

21/04/2022: “Emo Gym” Brings Slew of Affective Works to Tai Kwun Contemporary

19/04/2022: Out Now: Editors Daphne Dragona & Jussi Parikka Compile “Words of Weather,” a Glossary of Climate and Environment