Today
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Last Week
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: Matthew Plummer-Fernandez Comments on NFTs—in an Essay Hidden Inside a Minted JPEG
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: British Festival Wants to Abolish Normal Devices
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: Yuri Suzuki’s Horns Create Music for Airports
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: Ben Grosser on Why He Creates Unique Digital Objects That Can Only Be Viewed Once
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: Facebook Congratulates Self for Stamping Out Troll Farm
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: Carla Gannis’ “Garden of Emoji Delights” … Delights
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: Gene Youngblood (1942–2021)
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: Not Unlike Pulling Excalibur from the Stone—Craig Mod on the “Healing Powers” of Writing JavaScript
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: How Gene Youngblood Popularized the Phrase “Expanded Cinema”
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: Out Now: Atlas of AI
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: [Triumphant Horns] for “Activating Captions,” an Online Exhibition Exploring Closed Captioning
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: Charlotte Johannesson’s Political Tapestries Weave Together Craft and Technology
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: Brigitte Kowanz and Troika Encode Perceptual Poetry in Juxtaposition
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: Nora N. Khan on the Myths, Confusion, and Obfuscation Ever Unfolding Around Computation
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: Ben Rubin & Brian House Sonify Deep History at Brooklyn Botanical Gardens
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HOLO 3
: Thinking in Public
Last Month
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: Urban Weeds Alphabet Spells Kinship Futures
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: How Anil Dash and Kevin McCoy Invented NFTs in 2014
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: Nick Montfort Curates a Dynamic Selection of Browser-Based “Generative Unfoldings”
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: Tobias Revell on the Crypto Imaginary—or Lack Thereof
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Blog
: Welcome Nora N. Khan!
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: 49 Hopeful Offerings to the Hungry Gods of DeFi
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: Beauty AI Recommends Needles and Knives
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: Out Now: A Computer in the Art Room
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: Out Now: Stages 9—The Next Biennial Should be Curated by a Machine
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: Andreas Angelidakis ‘Softwalks’ at Oslo’s Fotogalleriet
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: Iconic 1985 Pixel Art is Actually Vector Art
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: Daniel Canogar Maps Latencies Onto Animated Screens
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: Mining (Crypto) While Fracking Is a Thing
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: Jon Michael Corbett on Designing Indigenous Hardware (and Software)
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: Femke Herregraven’s Aquatic Choir Sings of Underwater Matriarchy at the 13th Gwangju Biennale
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: Tobias Revell Ponders Mundane Renders and CGI Realism
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: Shift Space Publication Marks Inaugural Knight Arts + Tech Fellowship
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: Rahel Aima on the Rocky Terroir of New Media Art
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: Alex Czetwertynski Closes the Loop at K10 Media Arts
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: Jean-Pierre Hébert (1939-2021)
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: Mat Dryhurst Believes in Web 3 as an Interdependent Economy
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: Fred Turner: the Whole Earth Catalog was a Capitalist Project
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: U.S. Urged to Invest in Solar Geoengineering Research
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: Travis Diehl on Art, Money, and Metaphor
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: Holly Herndon on Best Practices for Nurturing a Healthy AI Collaborator
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: How Friction-Free Capitalism Eats into the Landscape
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: YouTuber’s Game Boy Mining Rig Will Mine One Bitcoin in Several Quadrillion Years
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: The Problems NFTs Purport to Solve Were Never Really Problems
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: Why Computers Won’t Make Themselves Smarter
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: “It’s a Huge, Dumb, Obvious Object Wedged into a Place it Shouldn’t Be.”
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: Refuse to Be Human, Be a Bot Instead!
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: “Deep Blue Playing Kim K Game”
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: Out Now: Art and Care
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: Available Now: A Bestiary of the Anthropocene
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: “Rhizomatiks_multiplex” Celebrates how Our Bodies Oscillate Between the Virtual and the Real
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: Hypha Grows Letters (and Other Things) by Simulating Mycelium Growth
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Shop
: A Bestiary of the Anthropocene
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: Kurt Hentschläger’ SUB Deprives Your Senses Before Overloading Them
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: Harm van den Dorpel Drops the Mic on Clubhouse
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: Astronomers Image Magnetic Fields at the Edge of M87’s Black Hole
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: Welcome to the CompuServe Age of NFTs
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: Nancy Holt’s (Light)Works Shine at Lismore Castle Arts
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: Welcome Nora N. Khan!
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Post Growth
: Progress and Alianation
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: New NFT Marketplace Opens with Casey Reas-Curated “Social Codes”
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: Zach Lieberman Fragments Faces for The New York Times Magazine
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: Curb the Zoom Boom with Zoom Escaper!
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: Germany Declares Demoscene Cultural Heritage
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: Paola Torres Núñez del Prado on Encoding Information in Textiles
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: New Art City Celebrates Anniversary with Festival
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: Peter Burr on Malevich and Life in the Grid
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: Ars Electronica Endows Prix Award with More Money to Support Struggling Artists
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: “Every NFT Sold So Far Will Be Broken Within a Decade!”
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: TeamLab Co-Founder on the Humble Beginnings of the Immersive Art Juggernaut
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: On the Origins—and Dangers—of Clearview’s Facial Recognition AI
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: The Artist is Online (and at König Galerie)
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: Metakovan on Why He Spent $69 Million on “Everydays: The First 5000 Days”
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: Facebook Researchers Gush at Prospect of Neural Interfaces Without Shred of Self-Awareness
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: Santa Mònica Arts Center Nurtures Ecosystems of the Unexpected
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Post Growth
: Emergy Flows
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: Uber CEO Dara Khosrowshahi: “Our UK Drivers will be Treated as Workers”
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: Quadrature Deploy Cosmic Radio Engine for Delusional Observations in Paris
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: Out Now: Molecular Capture