1,548 days, 2,378 entries ...

Newsticker, link list, time machine: HOLO.mg/stream logs emerging trajectories in art, science, technology, and culture––every day
September 2020

Ahead of the Guggenheim reopening, Artists for Workers (AFW) and The Illuminator activists protest the museum’s exploitative practices with series of projected messages. Slogans like “Open for Exploitation” signal support for the institution’s unionized workers and the employees at the Abu Dhabi outpost. “Our aim is to put pressure on the museum to understand these are not isolated instances but are related through modes of racial oppression and exploitation of workers.”

“I see a girl taking a selfie in the mirror.”
– Dries Depoorter’s Surveillance Speaker (2020), currently installed near Stuttgart, Germany, as part of “Unter Beobachtung,” upon spotting twins
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Emerging trajectories in art, science, and technology (since 2012)

As an editorial and curatorial platform, HOLO explores disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism

“I feel the language and concepts I’m working with don’t comfortably fit within the normal discourse about art and aesthetics. CERN’s physicists and engineers understood the tools I was using and I was able to talk about my goals. I just couldn’t have that kind of dialogue in an art context.”—sound artist Bill Fontana on his CERN residency (HOLO 2, p.206)

There is a space between a computer’s command line interface and the contemporary art museum, the legalese of Silicon Valley’s terms and conditions and the social contract, the whoosh of a particle accelerator and the romanticized “a ha” of artistic inspiration. For much of the twentieth century these gaps were chasms, separating science and engineering from the humanities and siloing them off; today, these gaps are narrowing and disciplinary interstices are the spaces to watch. Increasingly aware of how much technology governs not only entrenched fields of study but every aspect of modern life, we’ve come to realise that things are deeply intertwined.

HOLO emerged in 2012 to explore these entanglements—first with a periodical, now across an expanded platform. Set up in the grey zones between art, science, and technology, it frames scientific research and emerging technologies as being more than sites of invention and innovation—as epicentres of critical creative practice, radical imagination, and activism. The artists and designers working with related materials—algorithms and microcontrollers, meteoroids and fungi, data and archives—aren’t just updating notions of craft for the twenty-first century, they are researchers and cultural critics.

As an editorial and curatorial platform, HOLO occupies the same eccentric vantage points as these hybrid creative practices and puts them into perspective. Working across multiple avenues—print and online, events and production—HOLO collaborates with contributors and cultural partners to facilitate fruitful dialogue between domains and bring new voices into the conversation.

Selected collaborators:

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Over the last decade HOLO has curated more than 500 cultural initiatives worldwide

Selected partners:

A-B-Z-TXTCA
ACCKR
ArtengineCA
BIANCA
Circle of LightRU
Digital CulturesPL
EyeoUS
EyebeamUS
FRAMEDJP
IAMES
iMALBE
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MappingCH
MUTEKCA
NODEDE
ResonateSR
RhizomatiksJP
Sónar+DES
UAL CCLUK

New Art City Virtualizes The Gallery, Abolishes Gatekeepers, and Increases Access
Burak Arikan Maps Power Structures, Financial Flows, and Networks of Influence
Total Refusal Collective Casts NPC Workers in Critique of Contemporary Labour
Akil Kumarasamy Parses Quantum Plotlines and Large Language Models
Wade Wallerstein Decodes Digital Art’s Myriad “Distant Early Warnings”
Maarten Vanden Eynde Encapsulates Human Fallibility for the Ages
Miriam Arbus Cultivates “Seed Systems” That Nurture New XR Ecologies
Martin Bricelj Baraga Builds Monuments to the Sky’s 53 Shades of Blue
Claire L. Evans Assembles Fifty Key Sci-Fi Voices to “Terraform” Futurity
Kyriaki Goni Weaves Counter-Narratives to Colonial Cosmologies and Space Expansionism
General
A new HOLO format, Dossiers are web-based research publications that contextualize and expand upon cultural initiatives in real-time

Dossiers are dedicated HOLO folios that augment and complement exhibitions, residencies, conferences, and educational initiatives. Realised in collaboration with artists, writers, curators, and cultural partners, they are designed to document process and disseminate knowledge through a variety of engaging formats—essays, interviews, artwork—all within a focused online magazine. If you’re interested in working with us on a Dossier, please get in touch via our Contact page.

AI art and biohacks, CGI fever dreams, software that speaks truth to power—join us and receive full access to HOLO’s daily discoveries in critical creative practice.
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Questioning our problematic faith in AI, Nora N. Khan and fifteen luminaries measure the gap between machine learning hypotheticals and the mess of lived experience.
$40
An inquiry into the nature of randomness—how science explains it and how culture (and art) emerges from it
$45
Parsing emerging representational and perceptual paradigms in the wake of the Snowden revelations and nascent computer vision technologies
$75
An illustrated field guide on plastiglomerates, robot dogs, antenna trees and other hybrid creatures (and objects) of our time
$35
The first three instalments of ‘anticipatory’ designers N O R M A L S eponymous graphic novel series delineate a dark and unsettling world of hyper-mediated futures.
$65
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