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“This Current Between Us,” an installation and performance program, opens at the Neo Faliro Steam Power Plant in Piraeus, Greece. Artists including Nikos Alexiou, Hypercomf, and Miriam Simun contribute works exploring energy and production in response to the decommissioned site. The latter’s performance Do Not Break Out of Prior Range (image), for example, draws on a blender, lightbulb, and power cord—and Simun announcing “this isn’t just a milkshake, it’s a crucial north-south energy bridge” into a microphone.
“The only thing that Stability AI can do is algorithmic disgorgement, where they completely destroy their database and all models that have our data in it.”
“Fetishizing the Future,” a survey of visions of tomorrow ranging from aerospace to space colonies, opens at the Zeppelin Museum in Friedrichshafen, Germany. Included are projects by Alexandra Daisy Ginsberg, Tomás Saraceno (image: Launches at White Sands, 2016), Jacolby Satterwhite, and Timur Si-Qin. More than 80 aviation history artifacts complement the artworks, chronicling humanity’s enduring desire for “speed, freedom, peace, immortality, and sustainability.”
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