1,549 days, 2,379 entries ...

Newsticker, link list, time machine: HOLO.mg/stream logs emerging trajectories in art, science, technology, and culture––every day
OUT NOW:
Jenny Odell
Saving Time
An analysis of how our sense of time is structured by the relentless demands of capitalism, and a counterproposition arguing for “different rhythms of life.”

“Chain Reaction,” a collection of NFTs curated by Christiane Paul, is released on Feral File. Artists including Stephanie Dinkins, Sara Ludy, and Jennifer & Kevin McCoy contribute NFTs that probe the “social, aesthetic, and environmental contexts and networks in which these assets are embedded.” Ira Greenberg & Marina Zurkow’s The Dorises (image, 2023), for example, takes the programmable rarity associated with the medium, and uses it to generate weird oyster physiology and lore.

OUT NOW:
Neural 71
Strange Weathers
Guest-editors Daphne Dragona and Jussi Parikka explore weather and the disrupted climate as sites for digital culture and artistic intervention. Highlights include interviews with Karolina Sobecka, Superflux, open-weather, Lise Autogena & Joshua Portway, and Jana Winderen.
“We are thrilled to announce that our campaign to gather artist opt outs has resulted in 78 million artworks being opted out of AI training.”
– AI artist-activist group Spawning, on the success of haveibeentrained.com, a tool that allows artists to search for their works in the Stable Diffusion training set and exclude them from further use. “This establishes a significant precedent towards realizing our vision of consenting AI,” write Spawning founders Mat Dryhurst and Holly Herndon.

Anna Engelhardt and Mark Cinkevich’s single-channel video installation Onset (2023) opens at Aksioma, Ljubljana. Co-commissioned by transmediale, the film draws on medieval demonology, open-source intelligence, and CGI animation to ‘haunt’ Russian air bases the duo reconstructed from satellite imagery. “The true horror of Russian colonialism becomes manifest in the process of possession,” the artists write, “the imposition of external control that gradually destroys an organism from within.”

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Emerging trajectories in art, science, and technology (since 2012)

As an editorial and curatorial platform, HOLO explores disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism

“I feel the language and concepts I’m working with don’t comfortably fit within the normal discourse about art and aesthetics. CERN’s physicists and engineers understood the tools I was using and I was able to talk about my goals. I just couldn’t have that kind of dialogue in an art context.”—sound artist Bill Fontana on his CERN residency (HOLO 2, p.206)

There is a space between a computer’s command line interface and the contemporary art museum, the legalese of Silicon Valley’s terms and conditions and the social contract, the whoosh of a particle accelerator and the romanticized “a ha” of artistic inspiration. For much of the twentieth century these gaps were chasms, separating science and engineering from the humanities and siloing them off; today, these gaps are narrowing and disciplinary interstices are the spaces to watch. Increasingly aware of how much technology governs not only entrenched fields of study but every aspect of modern life, we’ve come to realise that things are deeply intertwined.

HOLO emerged in 2012 to explore these entanglements—first with a periodical, now across an expanded platform. Set up in the grey zones between art, science, and technology, it frames scientific research and emerging technologies as being more than sites of invention and innovation—as epicentres of critical creative practice, radical imagination, and activism. The artists and designers working with related materials—algorithms and microcontrollers, meteoroids and fungi, data and archives—aren’t just updating notions of craft for the twenty-first century, they are researchers and cultural critics.

As an editorial and curatorial platform, HOLO occupies the same eccentric vantage points as these hybrid creative practices and puts them into perspective. Working across multiple avenues—print and online, events and production—HOLO collaborates with contributors and cultural partners to facilitate fruitful dialogue between domains and bring new voices into the conversation.

Selected collaborators:

© 2023 HOLO V2.5.2 (beta)
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Over the last decade HOLO has curated more than 500 cultural initiatives worldwide

Selected partners:

A-B-Z-TXTCA
ACCKR
ArtengineCA
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Circle of LightRU
Digital CulturesPL
EyeoUS
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MappingCH
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RhizomatiksJP
Sónar+DES
UAL CCLUK

New Art City Virtualizes The Gallery, Abolishes Gatekeepers, and Increases Access
Burak Arikan Maps Power Structures, Financial Flows, and Networks of Influence
Total Refusal Collective Casts NPC Workers in Critique of Contemporary Labour
Akil Kumarasamy Parses Quantum Plotlines and Large Language Models
Wade Wallerstein Decodes Digital Art’s Myriad “Distant Early Warnings”
Maarten Vanden Eynde Encapsulates Human Fallibility for the Ages
Miriam Arbus Cultivates “Seed Systems” That Nurture New XR Ecologies
Martin Bricelj Baraga Builds Monuments to the Sky’s 53 Shades of Blue
Claire L. Evans Assembles Fifty Key Sci-Fi Voices to “Terraform” Futurity
Kyriaki Goni Weaves Counter-Narratives to Colonial Cosmologies and Space Expansionism
General
A new HOLO format, Dossiers are web-based research publications that contextualize and expand upon cultural initiatives in real-time

Dossiers are dedicated HOLO folios that augment and complement exhibitions, residencies, conferences, and educational initiatives. Realised in collaboration with artists, writers, curators, and cultural partners, they are designed to document process and disseminate knowledge through a variety of engaging formats—essays, interviews, artwork—all within a focused online magazine. If you’re interested in working with us on a Dossier, please get in touch via our Contact page.

AI art and biohacks, CGI fever dreams, software that speaks truth to power—join us and receive full access to HOLO’s daily discoveries in critical creative practice.
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Questioning our problematic faith in AI, Nora N. Khan and fifteen luminaries measure the gap between machine learning hypotheticals and the mess of lived experience.
$40
An inquiry into the nature of randomness—how science explains it and how culture (and art) emerges from it
$45
Parsing emerging representational and perceptual paradigms in the wake of the Snowden revelations and nascent computer vision technologies
$75
An illustrated field guide on plastiglomerates, robot dogs, antenna trees and other hybrid creatures (and objects) of our time
$35
The first three instalments of ‘anticipatory’ designers N O R M A L S eponymous graphic novel series delineate a dark and unsettling world of hyper-mediated futures.
$65
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