Looted, the latest instalment of the Whitney Museum’s ongoing Sunrise/Sunset project to “disrupt, replace, or engage with the museum website as an information environment” has launched. American Artists‘s twice-daily 30 second website intervention ‘boards up’ images of Whitney Museum holdings, simultaneously critiquing the indifference of the American retail sector to anti-Black racism and the ubiquity of cultural plunder in museum collections.
“…as familiarity with coding increases, more people will use that skill to produce music or art. There are people who say ‘I spend all day behind a computer; the last thing I want to do after work is look at a computer again,’ but for me, the computer is not a burden but more like water. I don’t think I’m alone in that regard.”
Ahead of the sunsetting of Adobe Flash on Dec 31, the Internet Archive announces the preservation of Flash content—SWF files—through emulation. First introduced by Macromedia in 1996, the software was vital for dynamizing the early Web. “From roughly 2000 to 2005, Flash was the top of the heap for a generation of artists, animators, and small studios,” writes archivist Jason Scott, warning that a big part of Internet history is now “in true danger of sinking beneath the sea.” To run Flash files without the discontinued player, the non-profit digital library incorporated Ruffle, an in-development emulator, into the site. Thus far, more than 1,000 Flash classics have been ‘resurrected.’
In their latest investigation, London-based research agency Forensic Architecture reconstruct the Beirut port explosion that killed more than two hundred people, wounded over 6,500, and destroyed large parts of the city on the evening of Aug 4. Using open-source information including videos, photographs, and documents provided by the independent Egyptian online newspaper Mada Masr, project lead Samaneh Moafi and team provide a meticulous, evidence-based picture of the events and “the multiple layers of state negligence” at play that day.