2022/03/06

Bren Grosser on Software, Interface, and “The Endless Doomscroller”

“It shows us how the software structures of social media change not only what we read but how we read. As an aesthetic reductive interface experience, it provides renewed opportunities for agency within the systems we all find ourselves stuck inside.”
Ben Grosser, reflecting on “Software, Interface, and The Endless Doomscroller.” In the paper, the American software artist discusses reactions to his 2020 internet artwork and “reduction as a strategy that shows rather than hides.”
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