HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“Poor images like Beeple’s, or the $1.54 million ape in a fedora, or most everything in the stream, are lessons in why we can’t stay locked down forever. Can’t just stare into our screens until death.”
– Spike Editor Dean Kissick, searching for a shred of meaning in the work of Beeple and KAWS, in a moment when ”artworks have begun to look more like memes, while memes have begun to look more like artworks”