HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“These works consisted of painted boxes and floppy disks describing the imaginary software, which was so hypothetical that it could only be suggested by invented titles and handmade images.”
– Artist Suzanne Treister, describing the imaginary Software (1993-4) she conceived in the aftermath of painting Fictional Videogame Stills (1991-2)
