HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“They found a 95% similarity between the Madonnas in the two paintings and an 86% similarity in the Child.”
– Art writer Taylor Michael, on the recent announcement that UK researchers had used facial recognition to attribute the 16th century painting de Brécy Tondo to ‘old master’ Raphael, by comparing the faces of Madonna and Child with the same figures in the Sistine Madonna (1513-14)
