Natalie Haddad on the “Oceanic Abyss” of Fred Eversley’s Lens Forms

Marking the wrap-up of “Recent Sculpture” at David Kordansky Gallery Los Angeles, Natalie Haddad reflects on Fred Eversley for Hyperallergic. Associated with the 1960s Light and Space movement, Eversley has explored lens-forms, related materialities, colour, and refraction for five decades. Losing herself in the parabolic sculptures, Haddad writes they “…appear to float in space; looking through the deep royal blue of one work feels like staring into the cosmos or an oceanic abyss.”


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