HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“There is a tendency in some technologically engaged art to reveal the computational processes in order to deliver some truthfulness in the resulting artwork, supposedly. I never cared for that.”
– Nicolas Sassoon, interviewed by Alison Sinkewicz about a series of “visual and imaginary interfaces between minerals and hardware” shown in his latest exhibition, “Subterranea,“ at Galerie Charlot, Paris