“There are no false idols here. Worlds unfold inside worlds, all stimulating something else and speculating on the architecture of hope.”
– Curator and writer
Hera Chan, on Revital Cohen and Tuur Van Balen’s 2019 video installation
The Odds (Part 1), that cuts “glamorous showgirls from a Macau casino kicking their legs against a shimmering pink tinsel curtain” with “ketamine-anaesthetized racehorses” and “Steve Ignorant of anarcho-punk band Crass performing in a bingo hall that used to be a cinema in the aesthetic of a church.”
