“The Dead Web—The End” opens at the Ludwig Múzeum in Budapest, bleakly imagining the digital detritus after the internet’s collapse. Curators Nathalie Bachand and Béla Tamás Kónya expand on previous iterations of the show with early web-based artworks from the C³ Foundation archive, and new Hungarian contributions from an open call. Brigitta Zics’ Semiosphere (2020, image), for example, teleports vistors into a “busy waiting room” filled with post-collapse chatter.