“Just in Time: On the Status Quo and Future of Electronic Art Preservation,“ a two-day conference begins at ZKM Karlsruhe. Assembling conservators from Atelier Sonar[t], Preservation as a Service, the Tate, and Colorvac and the ZKM team, the event aims to formalize “institutional frameworks“ to aid the preservation of media art’s ‘lossy’ and obsolete formats (image: Cathode-Ray Tube (CRT) restoration for Fabrizio Plessi’s 1993 CRT waterwheel Tempo Liquido).