In her solo exhibition, “Image Remains,” at Filodrammatica Gallery, Rijeka (HR), Dutch glitch art pioneer and resolution theorist Rosa Menkman explores the “unteathered” digital image—copied, processed, and endlessly circulated across platforms and algorithms. Drawing on Paul Klee’s iconic 1920 painting Angelus Novus, Menkman’s installation, videos, and diagrammatic analysis ask “what is left of the image when its resolution is made destitute, and its appearances are governed.”