“We discussed the idea of the ghost in the machine, Deux ex machina, and the spirituality that emanates from unknown entities. Then we asked: what if that could be trans? What if there was a way to trans that?”
The auction for “Keith Haring: Pixel Pioneer” concludes, bringing in $1.6M in sales across five lots. Undeterred by faltering NFT sales, several astute collectors swooped in to acquire the late artist’s trove of Commodore Amiga drawings. Created in the winter and spring of 1987, they showcase Haring’s signature exhuberent figures and vivid colour palettes, as shaped by the limited graphic capabilities (640 x 200 resolution, 16 colours) of the Amiga (image: Untitled #2 (April 16, 1987)).
Kashmir Hill
Your Face Belongs to Us
“The original Luddites did not hate technology. What they objected to were the specific ways that tech was being used to undermine their status, upend their communities and destroy their livelihoods.”
“If a human–pig chimera were brought to term, should we treat it like a pig, like a human, or like something else altogether?”
Serials
Yuri Suzuki Broadcasts the “Sound of the Earth” at Triennale Milano and in Your Headphones
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General
A new HOLO format, Dossiers are web-based research publications that contextualize and expand upon cultural initiatives in real-time
Dossiers are dedicated HOLO folios that augment and complement exhibitions, residencies, conferences, and educational initiatives. Realised in collaboration with artists, writers, curators, and cultural partners, they are designed to document process and disseminate knowledge through a variety of engaging formats—essays, interviews, artwork—all within a focused online magazine. If you’re interested in working with us on a Dossier, please get in touch via our Contact page.
Emerging trajectories in art, science, and technology (since 2012)
As an editorial and curatorial platform, HOLO explores disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism
“I feel the language and concepts I’m working with don’t comfortably fit within the normal discourse about art and aesthetics. CERN’s physicists and engineers understood the tools I was using and I was able to talk about my goals. I just couldn’t have that kind of dialogue in an art context.”—sound artist Bill Fontana on his CERN residency (HOLO 2, p.206)
There is a space between a computer’s command line interface and the contemporary art museum, the legalese of Silicon Valley’s terms and conditions and the social contract, the whoosh of a particle accelerator and the romanticized “a ha” of artistic inspiration. For much of the twentieth century these gaps were chasms, separating science and engineering from the humanities and siloing them off; today, these gaps are narrowing and disciplinary interstices are the spaces to watch. Increasingly aware of how much technology governs not only entrenched fields of study but every aspect of modern life, we’ve come to realise that things are deeply intertwined.
HOLO emerged in 2012 to explore these entanglements—first with a periodical, now across an expanded platform. Set up in the grey zones between art, science, and technology, it frames scientific research and emerging technologies as being more than sites of invention and innovation—as epicentres of critical creative practice, radical imagination, and activism. The artists and designers working with related materials—algorithms and microcontrollers, meteoroids and fungi, data and archives—aren’t just updating notions of craft for the twenty-first century, they are researchers and cultural critics.
As an editorial and curatorial platform, HOLO occupies the same eccentric vantage points as these hybrid creative practices and puts them into perspective. Working across multiple avenues—print and online, events and production—HOLO collaborates with contributors and cultural partners to facilitate fruitful dialogue between domains and bring new voices into the conversation.
Selected collaborators:
We produce:
Artist talks
Panel discussions
Performances
Installations
Workshops
Editorial
Publications
Over the last decade HOLO has curated more than 500 cultural initiatives worldwide
Selected partners: