1,359 days, 2,170 entries ...
Newsticker, link list, time machine: HOLO.mg/stream logs emerging trajectories in art, science, technology, and culture––every day
David Golumbia
(1963-2023)
Fierce digital culture critic David Golumbia dies after a battle with cancer. Author of The Politics of Bitcoin (2016) and the forthcoming Cyberlibertarianism, the American researcher examined financialization, language, and software. Golumbia was an Associate Professor in the English Department at Virginia Commonwealth University.

OUT NOW:
Sanela Jahić
Under the Calculative Gaze
The paperback adaptation of Jahić’s artistic research shown at Aksioma in early 2023 expands on the entanglement of socially-applied technologies, systemic injustices, and creeping authoritarianism. Included: an essay by prominent AI critic Dan McQuillan.

“As U.S. et al. v. Google goes to trial, the echoes of the landmark federal suit against Microsoft, a quarter-century ago, are unmistakable.”
“I’m not opposed to satellite imaging, but I’ve been in quite a few climate meetings where people suggested that if only we had more data and better images we’d finally address the crisis. That’s not true.”
OUT NOW:
Tamara Kneese
Death Glitch
Tech ethnographer Kneese draws on interviews with digital afterlife startups, chronic illness bloggers, and transhumanist tinkerers to explore how platform capitalism shapes our perception of mortality.

“In his feud with Zuckerberg, Musk is essentially playing Ric Flair without the charisma.”
Z
“The majority of people aren’t users but subjects of AI. It’s not a matter of individual choice. Most AI determinations that shape our access to resources are behind the scenes in ways we probably don’t even know.”
“How do we prevent these language models from scraping our archives? But if they are going to scrape our archives, how do we at least make sure that we’re getting paid for that?”
“Just as we’ve strewn the oceans with plastic trash and filled the atmosphere with carbon dioxide, so we’re about to fill the Internet with blah.”
“If Apple’s vision wins out, the fear is that we’ll all sink into our cyberpunk home theater goggles, consuming content as the world burns.”
“Introducing iPhone, on your face,” quips ‘Famous New Media Artist’ Jeremy Bailey about the reveal of Apple’s Vision Pro. Bailey anticipated the company’s mixed-reality goggles after coming across a 2015 patent (image), while patenting (whimsical) AR interfaces of his own. “Current AR and VR patents,” Bailey wrote in 2016, “are hilariously broad and forecast a future where culture itself belongs to the world’s largest tech companies.” The new Apple face computer still gets a thumbs-up (“this is incredible”).

“We may one day possess tools that keep us plugged in all the time, yet trick us into believing we’re not. The beauty of these ugly goggles is that they show what’s really going on.”
“I’ve come to see these technologies as intrinsically antihuman. How far back do we have to go to find technology that’s not about controlling nature? You have to go back to fucking Indigenous people and permaculture. That’s the future.”
“The New Yorker once hailed Marc Andreessen as ‘tomorrow’s advance man.’ The question now is whether his vision of the future might be history.”
“People should know that it isn’t just Meta—at every social media firm there are workers who have been brutalized and exploited. But today I feel bold, seeing so many of us resolve to make change. The companies should listen—but if they won’t, we’ll make them.”
“Where Big Data is merely aestheticized, a new court art is created, in whose flickering lights you can ‘talk about e-cars’ with politicians and lobbyists undisturbed, as entrepreneur Frank Thelen enthusiastically posted.”
“Oversight boards and ethics teams at big tech companies have always been a fig leaf. Their purpose is to convince regulators that the companies can regulate themselves. That’s it.”
“MySpace had neither the edge of a New York City digital media startup. Nor the loose libertarian spirit of Silicon Valley.”
“What we actually saw was a preview of what future products will look like. A lot of hype, a lot of misstatements, and an exploitation of people’s lack of knowledge about what cognition is and what artificial systems can do.”
To dive deeper into Stream, please or become a .
Daily discoveries at the nexus of art, science, technology, and culture: Get full access by becoming a HOLO Reader!
- Perspective: research, long-form analysis, and critical commentary
- Encounters: in-depth artist profiles and studio visits of pioneers and key innovators
- Stream: a timeline and news archive with 1,200+ entries and counting
- Edition: HOLO’s annual collector’s edition that captures the calendar year in print