The first-ever solo exhibition of Brooklyn-based art collective MSCHF opens at Perrotin, New York, presenting elaborate interventions that leverage the absurdity of late-stage capitalism. Transforming the gallery into an interactive strip mall, “No More Tears, I’m Lovin’ It” showcases the group’s art as merchandize. Spot’s Revenge (2022, image), for example, trolls Boston Dynamics with a heavily armed robot dog, after the manufacturer disabled the legally purchased unit remotely.

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