CGI Artist Tim Portlock Reflects on the New American Sublime

“I’m trying to draw a parallel between the way data is understood and how artists who made landscape images in the nineteenth century were selective—and omissive—in order to propagandize notions of progress and ‘greatness.’”
– CGI artist Tim Portlock, reflecting on his immersive digital cityscapes (currently on view at the Contemporary Art Museum St. Louis) and the new American sublime
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