“Palatnik’s device made us think about the artwork in terms of its livelihood, forcing us to consider its mortality and need for rest and repair.”
– MoMA’s Karen Grimson, on Abraham Palatnik’s Kinechromatic Apparatus S-14 (1958), exhibited as part of “Sur moderno: Journeys of Abstraction—The Patricia Phelps de Cisneros Gift,” in a tribute published following the artist’s passing

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