“Bianca approaches femininity not as an essence but as a kind of cultural technology—a set of inherited techniques the body learns to perform. She treats it as an operating system rather than identity.”
– A masked
Bianca Censori double, on the surreal portrayal of womanhood in the Australian architect and Yeezy designer’s recent performance art debut in Seoul.
BIO POP (2025) featured furniture sculpted from contorted Censori clones—body doubles wearing wigs and latex suits. “Instead of portraying femininity, Bianca reveals its mechanics.”
