HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“I would say there is a circuit board aesthetic, a punch-card aesthetic, as well as an interest in pristine and gleaming metallic surfaces, reminiscent of the IBM mainframe.”
– LACMA curator Leslie Jones, describing the aesthetic of one of the six rooms in “Coded: Art Enters the Computer Age, 1952-1982.” In conversation with Bronaċ Ferran, she shares the landmark exhibition was inspired by a 2013 donation of computer drawings from the Frederick Hammersley Foundation which left her in awe: “[it] was unlike anything I had seen before.”
