Marcel Schwittlick’s “The White Show” at Nguyen Wahed, New York City, juxtapozes three works that demonstrate the German artist’s decade-long research into human-machine gesture. Where Composition #12 (nr1) (2015) draws on Schwittlick’s own cursor choreographies, Caltech Studies (2024)—his newest series—appropriates the collective mouse movements of Caltech scientists creating the first AI dataset. The animals the researchers traced are represented with ink on aluminum and a set of tactile braille prints.