Contributor:
Alexander Scholz, Axel Pfaender, Benne Ochs, Daniel West, Dylan Schenker, Erika Jacobs, Golan Levin, Greg Borenstein, Greg J. Smith, James Bridle, Kristin Trethewey, Ludwig Zeller, Luna Maurer, Matthias H. Risse, Mitchell Whitelaw, Moniker, N O R M A L S, Paul Prudence, Ted Davis, Tim Maly, Will Wiles
Parsing emerging representational and perceptual paradigms in the wake of the Snowden revelations and nascent computer vision technologies
Ruth Jarman and Joe Gerhardt use scientific data as material, dialing into and amping up the noise in natural systems to conjure abstract animations and visceral embodied experiences
Fuelled by a low-poly aesthetic, mastery of all things glitch, and playful IDGAF irreverence, the Irish animator turned CGI artist has conquered Hollywood and the internet.
Whether parsing exoplanet candidates, the Okavango Delta, or MoMA’s archives, the Canadian artist has pushed the limits of representing (and living in) data for two decades.
American media artist and educator Golan Levin describes how emerging technologies are changing the way we see the world—and how artists can drive the conversation around those technologies
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- Perspective: research, long-form analysis, and critical commentary
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- Edition: HOLO’s annual collector’s edition that captures the calendar year in print