HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“Long before social media profiles, online avatars, or algorithmically generated ‘selves,’ Lynn Hershman Leeson was stress-testing how identity could be both manufactured and surveilled, both embodied and dispersed.”
– Artist Mark Amerika, reviewing Lynn Hershman Leeson’s memoir Private I (2025). Amerika argues her Roberta Breitmore (1973) performance prefigured networked identity decades before social media.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.
